Serial Artist

Count Down to "Story Within"- 2 days to go!

How do you know when a series is exhausted? If the subject still has appeal for me I'm willing to continue exploring it. 

Our Dancing Days, 30x40, oil on panel, is a large piece created for this show "Story Within".

Here's a post I did about Our Dancing Days. I realize I've done three other paintings at this point that were initially inspired by the clearing in the woods near my house. The models are my son, my daughter and my daughter-in-law. I think each painting has a different feel, at sometimes being playful, sensual or mysterious.

"If Music Be the Food of Love, Play On", oil on canvas over panel, 32x39

"The Clearing", 24x18, oil on panel

"Ripe Was the Drowsy Hour", 18x24, oil on panel

How do you work in a series? Some artists work on one series at a time, designing them all as a cohesive group. I seem to have several series going at the same time and work on them for years.

I did The Clearing and If Music Be the Food of Love, Play On in 2009, and just finished Our Dancing Days and Ripe Was the Drowsy Hour this summer 2011, with many paintings in between. 

Why even work in a series? For me it is hard to say everything I want to say about a particular subject in one painting. It takes the pressure off knowing that it doesn't have to all be said within the borders one piece, especially if it's a complex subject. 

The Changing Series. Interestingly enough sometimes the series fizzles out and I know I'm done with it, but other times a series get a crazy spin off series, kind of like Torchwood from Dr. Who? or Pinky and the Brain from Animaniacs... Anyway you get the idea!

For example the Incognito Series of paintings that I've been working on since 2005, spawned The Incognito Project in 2010. It's a very specific Event and Show. 

I'm still working on that project, having completed 15 paintings with 14 more in the works. The collection will be shown here in Birmingham, AL, at a date TBA. The work is also being documented for a book.

But in the mean time come see me in Santa Fe at the Peterson-Cody Gallery for my opening on Nov, 4, 2011 with Forrest Solis, I'll be in town.

I am interested in the hows and whys you do serial work, so let me hear from you. Until tomorrow!

"Our Dancing Days"

"Our Dancing Days", 30x40, oil on panel

 A hall, a hall, give room! And foot it, girls!

More light, you knaves, and turn the tables up;

And quench the fire, the room is grown too hot.

Ah, sirrah, this unlook'd-for sport comes well.

Nay, sit, nay, sit, good cousin Capulet,

For you and I are past our dancing days.

How long is't now since last yourself and I

Were in a mask? 

Romeo and Juliet 

As with most of my paintings the title comes well after the painting is underway. I have a vision in mind as I'm designing the painting and working on it, then brainstorm during the process and after it's done to come up with an appropriate title.

In this case Shakespeare won out again. Dancing and masks are hallmarks of mystery, enchantment and dream-like experiences, romance is in the air.

The mythology of the Roma was on my mind as well as an idea of the Halcyon Days, happy and carefree times.

I could site many song lyrics and am surprised how often the word Gypsy came up in music I regularly listen to. The romantic appeal of that nomadic life style is strong, and while not many of us have the actual desire to chuck it all and join a band of merry mysterious travelers, it's mesmerizing to fantasize about for a short while.

I've done a couple other paintings on this theme, The Clearing, and If Music Be the Food of Love, Play On.

Our Dancing Days will be in my two person show with Forrest Solis opening November 4, 2011 at Peterson-Cody Gallery in Santa Fe, NM.

New Painting, "The Clearing", 24x18

This painting was a fun experiment because the figures are smaller than I normally do, and the outdoor lighting had a very soft quality to it that my studio lighting doesn't have.

Thanks to my son and his fiance for modeling.