Tuesday, August 17, 2010

"The Bountiful Life" named finalist in The Artist's Magazine's 27th Annual Competition

My painting "The Bountiful Life - A Wedding Portrait" has been named a finalist in The Artist's Magazine's 27th Annual Competition, figure and portrait category.
This is a painting was a wedding present I did for my son and his new bride. They say that the models are half the finished piece and I agree. These two are a joy to work with, open, playful, theatrical, beautiful and willing! What more can an artist ask for in a model? I truly felt love bouncing around the studio the whole time I was working on this piece.

 
The painting is oil on canvas over panel, and is 32x41. I envisioned this as a forecast for the life I hope for them. I didn't want to do a traditional portrait but something with a more contemporary idea. I was surprised how much I enjoyed painting the fruit and flowers. 

The painting was composed by using different photographs that I had shot of the models in my studio. I then set up a still life with leaves from my garden and fruit and flowers from my local grocer and photographed it in the same lighting. Using photoshop I added the garland to the images I'd chosen of the models.

The figure category was judged this year by Sharon Sprung. Sharon is an accomplished figurative painter and instructor at the Art Students League in NY and is represented in NY by Gallery Henoch. Sharon Sprung Website, Gallery Henoch.

Monday, August 9, 2010

"Voice of the Tiger", oil painting by Terry Strickland


Here's a video slide show of my new painting, it's 33x32, and oil on canvas over panel. The video includes close-ups and the work in progress. If you have a fast Internet connection check out the HD version just for fun.

This photo reference sat around in my studio for about two years, it was a favorite photo of my daughter. I loved her expression but wasn't sure what to do with the background. The composition gradually evolved with the idea of a circus poster, something about a tiger, and a storm approaching. 
Finally it came to me while watching Carnivale, the made for HBO series, that the poster should be on a canvas behind her. Isn't it interesting how we find inspiration in images, words and music from other media?

I originally took this photo when my daughter was in a vaudeville type show at a local theater, this was her costume. I had a difficult time choosing a title for this piece but when I discovered the meaning of the word "Vaudeville" it's french meaning "Voice of the City" somehow that clicked and she became "Voice of the Tiger".
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Monday, July 26, 2010

Veer Magazine Review

The Summer Show at Mayer Fine Art Gallery in Norfolk, Va has been reviewed by Betsy DiJulio for Veer Magazine.
 
Here a few of mine that are in the show. "Dreams of Flying", 
  "On With the Show"
and "Don't Blink"

My work is in good company with the work of Michael Fitts from Charlottesville, VA,
 Christine Harris, Norfolk,
 Alexey Terenin from Prague, Chech Republic,
 and gallery owner and artist Sheilla Giollitti.
Here's the review.  Dark Art Shines at Summer Show

Here's Terry's Website 

Monday, July 19, 2010

An Incognito Project Haiku

To see what this is all about, check out my post introducing The Incognito Project

"Strange Leavings"

Wandering through home
Post Incognito Project
Crazy bizarre things... 

Whip on the sideboard
Red vampire blood in the sink
Swords in the foyer

Guitar on the bed
Gold pocket-watch on the stairs
Silver safety pins

A suit of armor
Pink flowers and a top hat 
Litter the floor

Black felt cowboy hat
Cigars in the studio
Turquoise feathers

Beer in the cooler
Pimento cheese in the fridge
And red plastic cups

A microphone stand
Transformed into a hat rack
Amplifies no more

Memories of friends
Shared secret-selves, the artist
Honored and grateful

No wordsmith, PAINTER
Must transform these images
and it must be now

(Oh that was too much fun, so silly, now I must get back to my true calling. The studio awaits!)

Friday, July 16, 2010

Incognito Project, Part 1

Wow, what a day we had last Saturday! Twenty friends visited my home studio and shared their Incognito Persona with me. The event began at 1:00 and ran all afternoon and into the evening.
Models were greeted at the door by my husband, Dan. They were welcomed and in keeping with the campy spirit of the party given "I revealed myself at the Incognito Project" T-shirts. Everyone seemed to agree the T-shirts were a fun memento.

After being introduced to the other attendees, and offered refreshments they were directed to Costumes and Make-up, headed up by my daughter-in-law, Amy, SCAD theater alumni.

My son, Kyle, a SCAD writing alumni, interviewed the guests about their choice of costuming, documenting their ideas and comments for eventual publication. Also to be included in the book are these photographs and more that are the work of professional Alabama photographer, Christina Lopez, who was hired to document the project.
Downstairs in the studio, my daughter Carly, an illustration major at SCAD, played the role of Key-Grip, moving lights, adjusting costumes and suggesting poses, as I photographed the models.
The models had been assigned a sitting time and generally came early and stayed afterward to socialize. After a few sittings I'd download the images to my iMac in our kitchen up-stairs, where everyone looked on to see their photos and those of the other party-goers.

Images from each sitting were added to a slide show on my iMac. They joined images from previous photo sessions of my family that will also be included in the final paintings. The slide show played continually throughout the day with an incognito themed sound track.

The last few weeks have been a conversation filled, collaborative effort as participants planned costumes for their photo session. All this interaction was exactly as rewarding for me as I thought it would be!

Models told me they had dreamed about it and had conversations with their friends and families about it.

Some chose a costume for the role they always wanted to play but never had the chance. This was at times a bittersweet day for them and the fact that they were willing to share it with me made it all the more poignant.

For some the costumes were wonderful daydreams and a pleasant respite from the daily grind.

Some knew immediately what they should dress as while others agonized because they had too many ideas.

A few were content to let me suggest a persona for them, intrigued by how I envisioned them. When a model asked for a second suggestion, I'd pry a little deeper, go back to the drawing board and come back with another idea, that was, as a result of their input, always better.

Normally camera shy friends agreed to be photographed; it seems wearing a costume made it bearable and even fun.

Each interaction was a delight me! How much fun I had as their ultimate costume was revealed while we brainstormed together!

This was also a challenge as I learned to let go a little. Normally I'm in total control of what goes into each painting but now I had asked people to decide what their painting would be. How refreshing and interesting to watch as each worked to solve this problem and to see myself respond to their suggestions.

Many thanks for all the collaborative effort go to my family, all my model friends, Christina Lopez-photographer ( www.clopezphoto.wordpress.com ) and Mary Gurney at Playhouse who rented us a car load of costumes!

As much work as it was getting this project together most of the work lies in the year ahead as I transform these provocative photographs into paintings. A show of the 25-30 paintings will be in the fall of 2011, presented in Birmingham, Alabama. Date and place to be announced.

Monday, June 28, 2010

How to Photograph Oil Paintings

Photographing oil paintings has always been tricky and I've struggled for years to get satisfying results. Problems in the past included uneven lighting, fuzzy details, and glare.This new set up gives the best images I've ever had so I thought I'd share.

I have four light stands each with a 33" white translucent umbrella, "premium" light sockets with 65 Watt 5000K UL listed florescent light bulbs. These are "continuous light" not "strobes". It's important that all the bulbs are the same so they all have the same color. Most of my equipment came from CowboyStudio.com. It costs about $100 for two stands, light sockets, bulbs and umbrellas. To photograph smaller paintings two lights may be sufficient.













The lights are arranged at the sides of the paintings rather than in front of them. This "raking" light minimizes glare. To be able to do this the painting is sitting on an easel rather than hanging on a wall. If light pollution from a window is a concern just draw the shades or shoot at night.

My camera is a digital Canon Rebel XTi. After some serious instruction manual reading I set it to Manual Mode, set the custom white balance (by photographing a white poster board under the lights) and set the f stop on 3.5 and Auto Bracket. I use an Ultrasonic 24-85mm lens 1:3.5-4.5. I also use a shutter release cable which prevents camera shake when I take the picture.

I use a tripod, determine the exact middle of the painting from the floor (involves math) and set the tripod so the camera lens is at that height from the floor. Adjust the tilt of the camera angle up and down so there is as little distortion as possible.

Finally I download them to my trusty iMac, perspective crop in Photoshop to crop out my messy studio. There is very little to do in color adjustments. Usually they can be adjusted using levels and channels.

I usually photograph the paintings a second time after varnishing and the results are even better.

I'm sure my photographer friends will see a number of things I could do better and I'm all ears! The process is eternally evolving.

That's easy enough, right?

Update: I've done another post about photographing particularly challenging dark paintings, Photographing oil paintings, Part 2

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Terry's Website

Wednesday, June 23, 2010

"Fast Lane" in Progress

"Fast Lane" in progress, a little insight into my painting method.

Sunday, June 6, 2010

New Painting "Fast Lane" companion to "Call of Duty"

Two paintings from my Incognito Series. "Fast Lane", 47x32, is a companion piece to "Call of Duty", 30x26, both are oil on canvas over panel. Here is "Call of Duty"
These paintings have been in the works for about two years. I'm intrigued by the idea of a painting that looks at first glance like an old masters painting but deals with a pop culture or contemporary idea.
Here is "Fast Lane".

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