Showing posts with label The Huffington Post. Show all posts
Showing posts with label The Huffington Post. Show all posts

Thursday, October 18, 2012

"Near the Tannhauser Gate"

Fresh off the easel!
Near the Tannhauser Gate, 14x11, oil on oil primed linen


I will be showing this painting at The Incognito Project Exhibit. Nov 3, 2012, 5-9 pm at the Vann and Young Building, 1731 1st Avenue North Birmingham  AL, along with 25 other new paintings on the theme.

The painting is part of my ongoing exploration of alter egos. Blade Runner fans will recognize the title from the replicant Roy Batty's introspective speech moments before his own death (actor Rutger Hauer).

I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time... like tears in rain... Time to die.

More about the project:



If you'd like to read a commentary of the work in the show, check it out in an article and slideshow by art writer/artist Daniel Maidman, on The Huffington Post, titled The Very Serious Dress-Up Playtime of the Soul!

You may also recognize this model from my painting The Certainty of Youth and the Complexity of Wisdom.




Wednesday, October 17, 2012

The Huffington Post Goes Incognito

I was thrilled to see an article and slideshow about The Incognito Project by artist/art writer Daniel Maidman on the Huffington Post!


I love the article. Daniel really gets my work. 

~"To me, it says that she chose the hard skill of strict mimesis, (strict imitation of the appearance of things), because she likes the people she knows; she likes them an awful lot. She likes them so much, in fact, that she wants to enjoy a specific kind of playing with them: that necessary dress-up that makes us meaningful to ourselves. This form of play is her invitation to her friends, and her skill as a painter is devoted to communicating to them, and to us, her affection, both for the person as they are, and as they understand themselves." 

AND "It characterizes Strickland's work as a whole, an overlay of the mythical self onto the recognizably real self."

AND He discusses realism in the context of the greater art world, and answers the question,"Why paint something so convincing?"

Aren't you intrigued? Now go read it!

After you do that, you can check out Daniel's show, Blue Leah at Dacia Gallery, opening Thursday, October 18, 6-10pm.

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