Showing posts with label "Fledgling Portal". Show all posts
Showing posts with label "Fledgling Portal". Show all posts

Sunday, August 7, 2011

Art Renewal Center's International Salon Awards

The Art Renewal Center's 2010-2011 International Salon honors have been announced. My paintings "Fast Lane" and "Voice of the Tiger" have been named finalists in the figure category, and my drawing "Mage" is a finalist in the drawing category. I'm honored to have my work included with such wonderful company!
"Fast Lane" can be seen at Peterson-Cody Gallery in Santa FE, NM, you can see my previous posts about this painting, here.

"Mage" can be seen at Principle Gallery in Alexandria, VA, my previous post about this painting may be viewed here.



"Voice of the Tiger" was sold through Robert Lange Studios in Charleston, SC, last year in association with the Women Painting Women show. 

Here's a short video of the painting in progress and details.


I have several previous posts about the WPW show.

Many thanks to the people at the Art Renewal Center for encouraging and celebrating realist art in the contemporary art scene.

Thursday, February 3, 2011

Art Calendar Magazine changes it's name to Professional Artist Magazine

"Voice of the Tiger" has won 1st Place in Art Calendar's March 2011 Portrait Cover Contest. It is featured on the inaugural issue of the magazine with it's new name.

One of my paintings was on the cover once before, in January 2006.
This painting, “Fledgling Portal”, (Oil on Masonite, 38”x53”, 2003, Collection of David and Nicole Holcombe), was the third in my "Awakening Series". I did a total of eight pieces that explored growing up and life transitions.

In “Fledgling Portal” a girl stands wearing fairy wings; she is loath to give up the playfulness of her childhood. Behind her is a drapery with aluminum foil stars as the real world beckons from beyond. The clown is a reminder of scary things from our childhood that make us wonder what frightening things await on the other side of childhood.

This Awakening Series is not merely about one stage in life. I began this series as I was contemplating making the transition to full time fine art.

The young people in these paintings are stands in for every man about to embark on a big change in life, moving from one "stage" (the drapery with foil stars) to a bigger world beyond.

Symbols abound through-out the series, "Jet City" for getting there fast, a clown for scary things unknown, a goldfish in a bag, maps, empty nests, fast cars, and big cities.

It's like most of my work which is about life transitions, "change" which is the only constant for each of us. All these ideas came together in a very unconscious way, a percolating of ideas, the process that I love about making art.
“The Quickening”
Oil on Masonite, 40”x61”, 2003, from the collection of the artist
A young girl on the brink of womanhood...she is confident as she faces the world with her steady gaze and calm demeanor.  The lily is a Christian symbol of purity often associated with the Virgin Mary, but before that it was associated with the goddess Aphrodite, appropriate for a coming of age young woman. There are storm clouds on the horizon, a sure sign of the turbulence that must accompany all life transitions. 
“On the Wing”
Oil on Masonite, 40”x61”, 2003, from the collection of the artist
A young man is called by a world that is at once exciting, frightening, and unknown.  The boy is sure and confident.  The nest can have two meanings, the masculine role of builder, or the traditional image of the empty nest as a home left behind.
“New Frontiers”
Oil on Masonite, 38”x53”, 2003, Private Collection
Growing up and leaving home...  the young man is wearing a child’s cowboy hat in answer to the question “So, what do you want to be when you grow up?” Fences represent those things that hold us back but also protect us from danger. The goldfish in a plastic bag is in a temporarily safe yet precarious stage in his life. All could be easily lost in one small moment of carelessness. 
  
“Make Way”
Oil on canvas, 42”x58”, 2004, Collection of David and Nicole Holcombe
Godzilla and the boy are rampaging through the city with complete and utter abandon. “Look to it well and say you are well warn'd.”~ Shakespeare
 
“Pin-up”
Oil on canvas, 42”x58”, 2004, Private Collection
“Pin-up”, shows an independent girl who will walk her own path even as she is tugged by pressure to conform.
 
“Full Moon Flight”
Oil on canvas,  52”x36”,  2004, Private Collection
The girl is going west, strong and armed for the future  with keys, a map for direction,  and a rabbits foot for luck. Her destiny is as yet undecided, and the Magic 8 Ball reflects the uncertain  nature of life with it’s answers of “yes”, “no”,  “reply hazy try again". Future loves are symbolized by the valentine and the king of heart’s that is hidden away.
 
“Smoke and Mirrors”
Oil on canvas,  42”x58”,  2005, Private Collection
Danger, temptations, free will, secrets revealed, and fire as transformation, the magician divulges nothing.


The following are screen shots of the March 2011 issue of Professional Artist Magazine on news stands soon!

Friday, May 14, 2010

It's a "Mad Science" Year


"Mad Science" has been recognized with an honorable mention in the Art Center Renewal’s 2010 International Salon. “Oracle”, charcoal, and  “Like Breath on Glass”, oil, were also recognized as finalists in this year’s competition. For my art to be included alongside these artist's whose work that I have stalked for years is an unbelievable honor!

Later this fall "Mad Science" will be in Direct Art Magazine along with my painting "Enlightenment". That is an annual NY bookazine,  since 1996, that highlights 23 artists each publication. It is always an interesting and edgy group of artists from all media so I am thrilled to be included!

The drawing "Oracle" is still available. "Like Breath on Glass" has sold to a Lebanese collector. How cool is that?

ARC 2009-2010 International Salon Competition

Monday, March 1, 2010

Uniquely Louisiana Collectors-David and Nicole Holcombe

David and Nicole Holcombe have a selection of 24 pieces from their amazing collection on display at The Meadows Museum of Art at Centenary College in Shreveport, LA. The work will be on display in the Focus Gallery through May 23, 2010.
Two of my paintings from this wonderful collection were selected to be included. "Fledgling Portal" and "Make-Way" are both from my Awakening Series.
The Holcombe's have been called "visual arts powerhouses" and have had a mission to passionately collect southern art for the past 25 years. This passion is evident in their choice of works as well as in the voice of the collection. David and Nicole have forged long-term relationships with many of the artists whose work they have acquired including me and my family.

David gave a talk at the museum highlighting 6 principles of collecting, principles that explain the "Hows" and "Whys" of their collecting.

1. Original art is always better than posters. Even bad original Art is better than a poster. (Yipee!)
2. You don't have to be rich to collect art. You just have to be attentive and interested. (Absolutely)
3. Never buy art as a financial investment. Art is a human investment. (I could not agree more)
4. Don't buy anything from dead artists. (I like this!)
5. There's no one gold standard for art. There are two common elements and they are on opposite ends of the spectrum. One is passion and the other is technique. (Two parts that make up the the whole in inspired art!)
6. When your house is full don't stop buying. (Yes! Yes! Yes!)

My husband and I use these same ideas when we add to our own art collection!
This was taken when we delivered the second painting to the Holcombe's at their beautiful Alexandria, LA home where we were treated to their wonderful overnight hospitality last fall.
This is what David had to say about "Make-Way":

“Make Way (Portrait of their son, Kyle Strickland).” We saw this work in a Masur Museum of Art Annual Competition (in Monroe, LA). The work was a stunning combination of feeling and technique. After much thought, we decided to purchase it. Terry Strickland and her husband, Dan, were delighted…the acquisition took on the character of an adoption more than a purchase. They insisted on delivering the painting in person, seeing where it was to be placed in our home, and revealing lots of details about their son. It captures that moment when young people pass through the portal of childhood into adulthood.The marbles represent the dangers of the world and the Christmas light symbolize the reassuring warmth of family.

And about "Fledgling Portal":

“Fledgling Portal (Portrait of Shannon).” This was another in Terry’s coming of age series. We so enjoyed “Kyle” that we decided to add this companion piece many years later. Originally, we thought it was Kyle’s sister, but Shannon proved to be a close family friend. It has the same attention to detail as the portrait of Kyle.  Unlike Kyle, the lighting comes from below and creates a more ominous effect.  Shannon, her wings attached, stands with her arms crossed, as if resentful and undecided about going through the “Fledgling Portal.” 

Becoming friends with my collectors has been an amazing aspect of this profession that I had not anticipated before I became a full-time painter. To be able to hear a family's story and know why they relate to a piece is such a privilege.

When David and Nicole say that buying a piece of artwork is an investment in relationships they are so right. Our lives are enriched on so many levels by all of our collectors and patrons of the arts...I hope they know they are appreciated!

Here is part of David's gallery talk about their collecting practices. 
 Thanks to David and Nicole for use of their photography!

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